Tyler Park Presents is pleased to announce Burn, Slip, Join, a group exhibition featuring works by Jenny Hata Blumenfield, Tanya Brodsky, York Chang, Andrea Chung, Cameron Crone, Ivan Ríos-Fetchko, and Larissa Lockshin. The exhibition will be on view from Friday, June 20 through July 25, 2025.

Burn, Slip, Join brings together artists working across different mediums and practices to explore a layered intersection of language, materiality, and form. Taking its title from a sequence of verbs — burn, slip, join — the exhibition engages with or interprets one or more of these actions, whether formally, conceptually, or through material process. Creating connections and through-lines between each piece, and the exhibition as a whole, in minute to broad ways.

Such as Andrea Chung’s sculpture made from burnt sugar evokes a process of alchemy, renderings of form, or material impermanence that is implied with Cameron Crone’s subject or Jenny Hata Blumenfield's failed pots wall ceramic. Smudged pastels and gestural oil paint slip and skim on the surface of Ivan Ríos-Fetchko’s and Larissa Lockshin's work, forming representations of soft floras and vibrant waves. Tanya Brodsky’s sculptural assemblages hinge on join — linking everyday keychains with systems of value, memory, and language, a token that resonates with the circulatory pathways of York Chang’s piece, where subjective meaning and constructed narratives intertwine.

Jenny Hata Blumenfield (b. 1988, Los Angeles, California) is a Los Angeles-based ceramic artist, designer, and curator whose practice reflects a deep and sustained commitment to the field of ceramics. Her work playfully subverts traditional tropes surrounding femininity, Japanese craft, and symbolic dualities, offering layered narratives through a distinctive visual language.

In the summer of 2022, she co-founded ATLA, a gallery in Los Angeles, with her husband. The space is dedicated to fostering a cross-Pacific dialogue, with ceramics and high craft at the core of its program.

Blumenfield earned her BFA in Ceramics with Honors from the Rhode Island School of Design. Her work has been exhibited at notable institutions including the Kimball Art Center (Park City, UT), The Hole (New York, NY), Mana Contemporary (Jersey City, NJ), Craft Contemporary (Los Angeles, CA), and the American Museum of Ceramic Art (Pomona, CA).

She has spoken as a panelist at the Asia Society in Tokyo and a visiting lecturer at the Roski School of Art and Design at USC. She has been an artist in residence at the Anderson Ranch Arts Center and the prestigious European Ceramic Workcentre (EKWC) in the Netherlands.

Tanya Brodsky (b. Kyiv, Ukraine) is an artist and educator based in Los Angeles. Brodsky holds an MFA from UC San Diego (2016) and a BFA from RISD (2005). She has participated in residencies including The Mountain School of Arts MSA^, SOMA Mexico City, Vermont Studio Center and The Lighthouse Works. Brodsky's work has been reviewed in Artforum, Hyperallergic and Carla, and has been recently exhibited at Leroy’s, Tanya Bonakdar Gallery, Tyler Park Presents, The Fulcrum Press, The Box, Ochi Projects, Materials & Applications, Visitor Welcome Center (Los Angeles), Galerie Wonnerth Dejaco (Vienna), Left Field Gallery (San Luis Obispo), Test Site Projects (Las Vegas), The Magic Hour (Twentynine Palms), and the Museum of Contemporary Art, San Diego. Her public art installation, “Yolki Palki,” was recently on view in West Hollywood. Brodsky teaches sculpture and public art at California State University, Northridge, at the University of Southern California, and at Chaffey College.

York Chang makes conceptually-driven work which considers the slippages between memory, language, images, and belief. His projects consider how our sense of truth and reality is affected by the velocity of fractured narratives in evolving forms of propaganda, the theatrics of conflict, and the staged presentation of credibility. Chang has exhibited in the United States and internationally, including Greene Exhibitions, Commonwealth & Council, Charlie James Gallery, Institute of Contemporary Art Los Angeles, MASS MoCA, Scottsdale MoCA, Santa Barbara Museum of Art, Edel Assanti London, NADA New York, EXPO Chicago, the Orange County Museum of Art and the Vincent Price Art Museum. His work is held in private and public collections, including the permanent collections of Los Angeles County Museum of Art (LACMA) and the Santa Barbara Museum of Art, and was awarded a Guggenheim Fellowship in Fine Arts in 2025.

Andrea Chung (b. 1978, Newark, NJ) lives and works in San Diego, California. She received a BFA from Parsons School of Design, New York, and a MFA from Maryland Institute College of Art, Baltimore. Her work has been exhibited in biennales such as Prospect 4, New Orleans, and the Jamaican Biennale, Kingston, Jamaica as well as the subject of museum solo exhibitions at the Museum of Contemporary Art San Diego, the Manetti Shrem Museum, and the Art Gallery of Ontario, Canada. Her work has been included domestically and internationally at venues recently such as the Nasher Museum at Duke University, Minneapolis Institute of Art, Frist Art Museum, Ford Foundation Art Galleries, Guangdong Times Museum, and the J. Paul Getty Center. She has participated in national and international residencies including the Vermont Studio Center, McColl Center for Visual Arts, Headlands Center for the Arts, and Skowhegan School of Painting and Sculpture. Her work has been written about in the Artfile Magazine, New Orleans Times, Picayune, Artnet, The Los Angeles Times, and International Review of African-American Art among others. Her work is included in collections such as the Museum of Contemporary Art San Diego, Rhode Island School of Design Museum, NoVo Foundation, Cleveland Clinic Art & Medicine Institute, Minneapolis Institute of Art, Davis Museum at Wesley College, the Addison Museum of American Art, and the J. Paul Getty Museum.

Cameron Crone (b. 1984, Santa Ana, CA) lives and works in Los Angeles, CA. He has been included in solo and two person exhibitions at Jancar Jones Gallery, Los Angeles; Golden Spike, Los Angeles; Ms. Barbers, Los Angeles; and Central Park Gallery, Los Angeles. Crone has been included in recent group exhibitions at The Fulcrum, Los Angeles; Night Gallery, Los Angeles; the Brand Art Center and Library, Glendale; and Altman Siegel, San Francisco. His work belongs in the permanent collections of Los Angeles County Museum of Art (LACMA) and Harvard University; as well as other private collections. He has published two books of photographs - In the Garden, Golden Spike Press; and A Looking Glass of, Night Gallery. Crone has been profiled in Artforum, Prism of Reality, ArtSlant, and the Contemporary Art Review LA.

Ivan Ríos-Fetchko (b.1994, Los Angeles, CA) lives and works in Los Angeles. He attended the Brown/Risd Dual-Degree program, earning a BFA in Painting and a BA in Comparative Literature. His work has been shown at As It Stands, with Imperial Gallery, at The Lodge, Tyler Park Presents, and at Tilton Gallery.

Larissa Lockshin (B. 1992 in Toronto, Canada) earned her BFA in Painting from Parsons School of Design. Her recent solo and duo exhibitions include Alzueta Gallery, Barcelona, Spain (2024); Europa, New York, NY (2023); Cob Gallery, London, UK (2023); and Pipeline Contemporary, London, UK (2023). She has also participated in group exhibitions at James Cohan Gallery, New York City (2024); 12.26 Gallery, Dallas and Los Angeles, USA (2024); Alzueta Gallery, Barcelona, Spain (2023); and Baronian Xippas, Brussels (2021). Lockshin lives and works in New York City.